Archives for March 21, 2018

Moose Blood at 9:30 Club

I’ve been following McCafferty’s rise to stardom within the emo scene since they began writing music in 2012, and this tour is without a doubt the largest bill they’ve been on yet in their career.


By: Christian Hernandez

On Sunday March 18, UK based emo/pop punk band Moose Blood played a banger of a set at the 9:30 Club in Washington DC. The Hopeless Records band began their North American tour on March 14, hitting the road with Arizona indie rock band Lydia and Ohio based indie punk band McCafferty. The band’s third studio album, I Don’t Think I Can Do This Anymore (2018), was released on March 9 and has proven to be some of the bands strongest material. The combination of the lead singer’s (Eddy Brewerton) very sharp vocals and the heavy riffs from lead guitarist (Mark Osbourne), this album, in my eye, is proving to be on the best pop punk albums of 2018 so far.

The night started off with McCafferty taking the stage promptly at 8 p.m., playing for a nearly packed house. I’ve been following McCafferty’s rise to stardom within the emo scene since they began writing music in 2012, and this tour is without a doubt the largest bill they’ve been on yet in their career. It was cool to see them playing at the 9:30 Club rather than a small bar like the Strange Matter in Richmond, VA where I first saw them a few months ago. They started the set with their newest single, “Strain,” which got the crowd dancing and warmed up quickly. Crowd favorites such as “Alligator Skin Boots,” and “Yours, Mines, Ours”, were the highlights of the set for me. McCafferty’s second studio album, Yarn, is set to be released on March 23rd through Triple Crown Records.

Photo By (Christian Hernandez/WGMU).

Photo By (Christian Hernandez/WGMU).

Lydia, an indie rock band from Gilbert, Arizona went on next and they were better than I had expected. Before the show I had never heard of Lydia before, despite them being an active band since 2003. Although I didn’t know who they were, it seemed like everyone else in the venue did! They played a very hyped set that was accompanied by nearly everyone singing and dancing along to each song played. My favorite part of their time on stage was the bands surprise cover of OutKast’s song “Ms. Jackson“. Their seventh studio album, Liquor (2018) is set to release July 13 and I will for sure keep my eyes and ears out for that release!

Finally, Moose Blood ended the night off by playing 18 of their most popular songs in their discography. Before they began to play any music, lead singer, Eddy Brewerton said to the audience that he had come down with a case of laryngitis and that he would try his best to give us a proper good show. They opened with “Talk in Your Sleep”, the lead single off their newest album. Things really began to amp up when the band transitioned into the song “Bukowski”, which is the perfect sing-a-long to get everyone moving and the momentum continued through the rest of the night. Other notable songs performed that night was “Knuckles” and “Cherry”, which Eddy Brewerton said to the crowd that it was his favorite song the band has ever written because he dedicates it to his wife and daughter whenever they play it live. Although the vocals weren’t the strongest due to illness, the band made up for it with their showmanship and overall putting on a banger of a show.

 

 

Coast Modern at 9:30 Club

Photo By (Fielder Wise/WGMU).

Photo By (Fielder Wise/WGMU).

Coast Modern managed to get a still crowd dancing from the very start.


By: Kate Klajbor and Fielder Wise

Weeknights make it difficult to go out into the city, especially when D.C. remains in a weather rut. However, Coast Modern‘s show still went on. The show on March 19, hosted at the 9:30 Club, was an experience unlike any other.

DC-based indie group Dr. Robinson’s Fiasco started the concert. Lead singer Ian Robinson happens to be the cousin of one of the band members in Coast Modern, and had superb vocals. The other instruments were well played, but there was very little stage performance or movement. Not visually appealing for an opener, but they did impress and set an upbeat tone.

Next came another local band, Maryland trio SHAED. A cute girl (vocalist Chelsea Lee) came out with two other guys (twin brothers Spencer Ernst and Max Ernst) – one her fiancé and the other her best friend – which ultimately made for a sort of power group. Songs like “Too Much” and “Perfume” were reminiscent of Disclosure and Lorde, with a touch of ZHU.

Despite faulty equipment, SHAED still sounded wonderful. Their show was heavily driven by technology, especially their computer and a keyboard set up. At first their computer crashed, but that didn’t stop them. They made it up by methodical lighting and a minimalist stage presence. The design allowed for Chelsea to take full control of the stage, without being overlooked by lights and elaborate props. In this case, less was more. Simple stage design, juxtaposed by Chelsea’s vocals and interactivity, and lighting, made for an epic sequel following Dr. Robinson’s Fiasco.

Shortly thereafter, LA-duo (Luke Atlas and Coleman Trapp) Coast Modern took the stage. Like the previous artists before them, they also had a minimalist stage. A few LED lights simplified their performance and let their music really show through. California vibes oozed from their setlist, especially singles off their recent self-titled album Coast Modern (2017). Lead vocalist Coleman Trapp used the space to bring songs like “Hollow Life” and “Guru” to life. His stage confidence was reflective of Coast Modern’s upbeat, summery beach sound – quite similar to COIN, Hippo Campus, and BØRNS.

The band managed to get a very still crowd dancing from the very start. Trapp dancing around the stage singing helped enhance the peppiness of the music. Overall, Coast Modern is a great band to listen to if you want to get your dance moves going. Although vocals were shaky and off-key at points, it was still a lively show. Even though the vocals were not the best, Coast Modern was still able to get a crowd dancing and hyped up.

 

WGMU Hiring For 2018-2019 Academic Year

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Join the Team!

WGMU Radio is hiring paid and volunteer executive/general staff positions for the upcoming 2018-2019 academic year. The station is looking to fill six positions.  The list of the six positions are below.  To view the job description, click on the title.

Music Director/Assistant Program Director

Independent/Local Music Director

Sports Media/Sports Programming Director

Marketing Director

Production Director

Director of Engineering (Chief Audio Engineer)

 

QUALIFICATIONS: Must be an enrolled Mason student for the upcoming year. Must maintain a 2.5 GPA and be familiar with WGMU.

TO APPLY: All interested job applicants should submit a completed WGMU Employment Application and your current resume with a cover letter (references are preferred)  to WGMU General Manager to Sasha Toophanie, WGMU General Manager by email: stoophan@gmu.edu with your name and the position title in the subject line.

Download the job application here: WGMU EMPLOYMENT APPLICATION

The deadline for submissions is Monday, April 9, 2018 at 5pm.

WGMU Radio is an employer of equal opportunity. All genders, races and orientations are encouraged to apply.

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